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・ Eugène Gilbert
・ Eugène Girardet
・ Eugène Giraud
・ Eugène Gley
・ Eugène Goblet d'Alviella
・ Eugène Godfried
・ Eugène Goossens
・ Eugène Goossens, fils
・ Eugène Goossens, père
・ Eugène Goupil
・ Eugène Goüin
・ Eugène Grasset
・ Eugène Green
・ Eugène Grisot
・ Eugène Grébaut
Eugène Guillevic
・ Eugène Hanck
・ Eugène Henry
・ Eugène Hus
・ Eugène Hénaff
・ Eugène Hénard
・ Eugène Ionesco
・ Eugène Isabey
・ Eugène Jacob de Cordemoy
・ Eugène Jamot
・ Eugène Jansson
・ Eugène Jean
・ Eugène Joors
・ Eugène Joseph Delporte
・ Eugène Joseph Verboeckhoven


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Eugène Guillevic : ウィキペディア英語版
Eugène Guillevic

Eugène Guillevic (Carnac, Morbihan, France, August 5, 1907 Carnac – March 19, 1997 Paris) ((:øʒɛn ɡijəvik)) was one of the better known French poets of the second half of the 20th century. Professionally, he went under just the single name "Guillevic".
==Life==
He was born in the rocky landscape and marine environment of Brittany. His father, a sailor, was a policeman and took him to Jeumont (Nord) in 1909, Saint-Jean-Brévelay (Morbihan) in 1912, and Ferrette (Haut-Rhin) in 1919.
After a BA in mathematics, he was placed by the exams of 1926, in the Administration of Registration (Alsace, Ardennes). Appointed in 1935 to Paris as senior editor at the Directorate General at the Ministry of Finance and Economic Affairs, he was assigned in 1942 to control the economy. He was from 1945 to 1947 in the Cabinets of Ministers Francis Billoux (National Economy) and Charles Tillon (Reconstruction). In 1947 after the ouster of Communist ministers, he returned to the Inspector General of Economics, where his work included studies of the economy and planning, until his retirement in 1967.
He was a pre-war friend of Jean Follain, who introduced him to the "Sagesse" group. Then he belonged to the "School of Rochefort".
He was a practicing Catholic for about thirty years. He became a communist sympathizer during the Spanish Civil War, and in 1942 joined the Communist Party when he joined with Paul Éluard,〔http://www.net-libris.com/guillevic.htm〕 and participated in the publications of the underground press (Pierre Seghers, Jean Lescure).
His poetry is concise, straightforward as rock, rough and generous, but still suggestive. His poetry is also characterized by its rejection of metaphors, in that he prefers comparisons which he considered less misleading.

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